Dark, dashing and, above all, distinguished, our Penworth Vest in blue highlights your true sartorial style A bar on the end of the chain held it in place to catch the chain if it were dropped or pulled. The waistcoat is one of the few articles of clothing whose origin historians can date precisely. This avoids that shiny polyester appearance that looks so tragic in any light. Your name or email address:
Black suit, black tie, white shirt, and a brightly colored brocade waistcoat. Aug 17, 6. This is something I have seen done before. A college professor was wearing a black suit, white dress shirt, conservative tie, and a lighter blue waistcoat. It looked convincing to me. Aug 18, 7. Aug 18, 8. Hi My waistcoat arrived today and its closer to a really light red almost salmon pink colour, mixed with blacks and gold swirls and it looks ok in my opinion, and Ive ordered some more brightly coloured wasitcoats and with hindsight Ive decided not bother with the tie all the time.
Aug 18, 9. If you can find an odd vest, then go for it. Aug 19, Aug 20, It's a great look, IMO. The one thing to bear in mind is that while you should always aim to coordinate, of course, make sure there is sufficient contrast between suit and waistcoat so that it doesn't look as if you're trying to pass off an almost-match as part of a three piece. Same idea as not wearing navy trews with a navy pinstripe blazer, for instance.
Hello, I do combine odd vests with suits, and odd vests with odd trousers and jacket, too that is, all three different. I find it looks fine. I normally avoid putting more than one pattern in the mix; not that it can not be done, but because I will also add a tie or bowtie almost all of them being patterned and often a square pocket, I only want to mix patterns so far. As Edward has mentioned, it is important to provide a minimum degree of contrast. It also creates a single, unbroken stretch of the suit fabric from ankles to shoulder.
Worn on its own, the waistcoat of a three piece suit is usually an acceptable piece of dress-casual clothing. Of course, a three piece suit can always become a two-piece suit through the simple expedient of leaving the waistcoat at home — unlike the double-breasted suit, the three-piece sacrifices no versatility for its elegance. Its only drawback so long as the rest of the suit is well-made is the added cost of the third garment. Vests are a surprisingly hard garment to fit properly — cautious tailors will often insist on making at least a shirt and a jacket for a man to familiarize themselves with his measurements and proportions before tackling a waistcoat.
A well-made waistcoat will be tailored with the assumption that it will sometimes be the outermost garment, meaning that the fit needs to be appropriate even at points that are usually hidden beneath the jacket. Nearly every point on a vest has relevant benchmarks for fit. At the bottom, the vest should be long enough to completely cover the waistband of the pants. Any visible shirt around the waist will destroy the top-to-bottom sweep of the suit fabric. Too long of a vest starts to look absurd, so the trousers on a good three piece suit will be fitted high, around the natural waist, and should ideally be worn with suspenders.
A belt may cause bulging in the waistcoat fabric and will be completely hidden, rendering it unnecessary. A good waistcoat should be fitted; that is, it should have a distinct waist. Most will be somewhat adjustable by means of a strap in the back. Pepys records "vest" as the original term; the word "waistcoat" derives from the cutting of the coat at waist-level, since at the time of the coining, tailors cut men's formal coats well below the waist see dress coat.
An alternative theory is that, as material was left over from the tailoring of a two-piece suit, it was fashioned into a "waste-coat" to avoid that material being wasted, although recent academic debate has cast doubt on this theory. During the seventeenth century, troops of the regular army — and to some degree also local militia — wore waistcoats which were the reverse colour of their overcoats. It is believed that these were made by turning old worn-out standard issue overcoats inside-out so that the lining colour appeared on the outside and removing the sleeves.
The term "waistcoat" might therefore also be derived from the wastage of the old coat. During the seventeenth and eighteenth centuries, men often wore elaborate and brightly coloured waistcoats, until changing fashions in the nineteenth century narrowed this to a more restricted palette, and the development of lounge suits began the period of matching informal waistcoats.
After the French Revolution of , anti-aristocratic sentiment in France and elsewhere in Europe influenced the wardrobes of both men and women, and waistcoats followed, becoming much less elaborate.
After about the fit of the waistcoat became shorter and tighter, becoming much more secondary to the frock-coat overcoat and almost counting as an undergarment, although its popularity was larger than ever. With the new dandyism of the early 19th century, the waistcoat started to change roles, moving away from its function as the centrepiece of the visual aspect of male clothing, towards serving as a foundation garment , often with figure-enhancing abilities.
From the s onwards, elite gentlemen—at least those among the more fashionable circles, especially the younger set and the military —wore corsets. The waistcoat served to emphasize the new popularity of the cinched-in waist for males, and became skin-tight, with the overcoat cut to emphasize the figure: Without a corset, a man's waistcoat often had whalebone stiffeners and were laced in the back, with reinforced buttons up the front, so that one could pull the lacings in tight to mould the waist into the fashionable silhouette.
Prince Albert , husband of Queen Victoria , had a reputation for his tight corsets and tiny waist; and although he lacked popularity during his early reign, men followed his style , and waistcoats became even more restrictive. This fashion remained throughout the 19th century, although after about the style changed from that of a corseted look to a straighter line, with less restriction at the waist, so that the waistcoat followed a straighter line up the torso.
Toward the end of the century, the Edwardian look made a larger physique more popular— Edward VII having a large figure. Waistcoats have also become popular within the indie and steampunk subcultures in the United States. Although not related to formal wear, a type of waistcoat have also been used as part of workers uniforms, such as at Walmart prior to ,  and also as high visibility clothing usually bright " safety orange " color.
Part-way through the tournament, the Museum of London announced that it hoped to acquire Gareth Southgate's waistcoat in order to display it as part of its permanent collection of historic clothing. Guitarist Ruthie Morris of Magnapop wearing a leopard print vest on stage. From Wikipedia, the free encyclopedia. For a Boleslaw Prus novel, see The Waistcoat.
It has been suggested that Vest be merged into this article. Discuss Proposed since July This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed.
Not only does a waistcoat keep me warmer, but it also provides my outfits with a very different look. Even if you have a limited wardrobe of 3 suits and 3 odd vests, you can create a total of 12 outfits (3 without vests, 9 with vests)! Cotton waistcoats are typically paired with a suit for a smart look. If you want to mix things up you can wear yours with a short-sleeved shirt in Summer or an overcoat instead of a suit jacket in Winter. A waistcoat has a full vertical opening in the front, which fastens with buttons or snaps. Both single-breasted and double-breasted waistcoats exist, regardless of the formality of dress, but single-breasted ones are more common. In a three piece suit, the cloth used matches the jacket and trousers.